Thursday, March 15, 2018

Pulling Down in the Old West, Roy NM!

Every February, as the Canadian winter starts to seem dreary and overly long, I start to look southward for a climbing respite.  With the Canadian spring still weeks away, the sunshine, warmth, and beautiful landscapes of the American southwest become incredibly appealing.  I've been to several climbing areas in the American west, and they have yet to disappoint me.  The enormous pale-blue skies, the orange sandstone, the junipers, yucca, and cholla; I can never get enough!

This year, my climbing wanderlust (and love of the desert!) had me seriously considering a trip to Roy, New Mexico.  I had been hearing about the sandstone boulders of the canyons surrounding Roy for a few years, and when my friend Owen Summerscales published New Mexico Bouldering in 2016 (the new guidebook for the state), it contained all the information I needed to entice me to the area.  When I talked to Owen, he described the climbing enthusiastically using phrases like "SO much better than Kraft" and "arguably the best sandstone boulders in the west".  I was sold, and started thinking about a trip to New Mexico.  Kyle (with his deep love of both sandstone and steep roof climbing) was also eager to check the area out.  A trip to the desert is always a lot of fun, so we recruited Justin for a little exploration, and also convinced Alissa (who was already bouldering in Nevada) to come along as well.  A fun group for a trip to the southwest!

Desert plants are amazing!  Yucca is common in the canyons surrounding Roy.

The greatest drawback of a trip of this sort is, of course, the drive across the United States.  Packing the car, we began the predictably long drive across southern Alberta and four states.  Though Google suggests that the drive would take about 19.5 hours, driving through the northern states in winter is rarely straightforward.  After battling bad roads in Montana, fog in northern Wyoming, and (literally) gale-force winds in southern Wyoming, we were relieved to finally encounter dry roads with great conditions in Colorado.  We picked up Alissa at the airport in Denver (she flew from Las Vegas to extend her climbing trip for another eight days), and then headed south into New Mexico.  Driving through the enormous and empty grasslands of New Mexico through the evening, we finally arrived at our destination, the Mills Canyon Rim Campground just outside of Roy.  It's a small campground run by the US Forest Service, and was very well-maintained and tidy.  Quickly setting up our tents, we settled in for our first night in New Mexico.

Campfires keep the cold night at bay, at least until you go to bed (n.b. bring a better sleeping bag next time...).

After my first night in the New Mexico high desert, I learned one lesson very well; the nights in the high desert can be very cold!  After one very chilly night it became apparent that my sleeping bag wasn't up to the task of camping in the desert, and so I got up early the next morning to go for a walk and warm up.  I hiked down through the boulders and brush of Mills Canyon, marveling at the amazing texture of the rock as the dawn sun turned the walls of canyon bright orange.

Back at camp, we read through the guidebook, and decided that we'd spend our first day in Roy climbing in the middle section of Mesteno Canyon, which features a large concentration of sandstone blocks known as The Jumbles.  On our hike down into the canyon we saw a large green-and-gold rattlesnake (a Prairie Rattlesnake, it rattled at us as we walked by), but it was so cold that the snake was barely able to move (and posed little threat as we kept our distance).  Arriving in the canyon bottom we wandered among the blocks, excited to see the variety of problems present; steep compression lines, featured slabs, aretes, and highly textured blocks featuring big pinches and pockets.

Kyle getting his first taste of New Mexico sandstone on the Herbie the Love Bug Wall, Middle Mesteno Canyon. 

After exploring for an hour or so, we settled down to the business of climbing some of the amazing boulders we'd seen.  We warmed up on a fun hueco-covered wall low in the Jumbles (the Herbie the Love Jug Wall), and soon Justin, Alissa, and Kyle were keen to attempt Try Angular (V6), an amazing angled arete with a high crux move.  I didn't really feel as though I was warmed up enough to try anything hard, but decided to join in to see what the problem was like.  We all made quick progress on the bottom half of the problem, only to realize that the second half of the line was where the difficulties lay.  As we worked the problem, it occurred to me that the line was a lot like Squamish's ATD (V7); but unfortunately I couldn't remember the funky movement required for that problem (it's been awhile...).  Eventually Kyle linked to the lip of the boulder, but couldn't quite figure out how to approach the next moves onto the hanging slab.  On my next try, everything clicked as I remembered the weird heel-toe beta for ATD, and I reached up to the lip, reset my left foot, and did a funky (and scary) press on to the slab.  Success!

Trying a little harder on the classic Try Angular (V6), Middle Mesteno Canyon.

Feeling a bit warmer, I circuited around for a few hours, climbing several easier lines, and looking at problems I might try later in the week.  Whenever I visit a new area, I like to climb a large volume of easy-ish problems for the first few days, to get used to the features of the area, and to assess how much pressure the texture of the rock will bear.  One of the best easy lines I did was the fantastic pocketed slab Thimblerigger (V1), though there are a lot of short undocumented slabs throughout the Jumbles (unlike the other areas, I would find out; only the Jumbles is slab-rich).

As I was cruising around on easy problems, Alissa got psyched to try It's V-Five (V4), a crimpy line with a huge sloping start hold.  Alissa and Kyle were making the start look funky, so with my interest piqued I headed over to join in.  By turning my hip into the wall, I managed to do the first tricky cross-through, and flashed the problem.  Certainly a great start to the trip!  After doing a few harder slabs, we packed up and headed back to camp for dinner.  With the sun down and temperatures falling, we built a fire and chatted about what the upcoming week would bring.

Looking down into Mesteno Canyon, just outside Roy New Mexico.  All the sandstone blocks you could ever want fill the canyons around Roy.

The next day we headed into Roy to look for water, groceries, and (hopefully!) a cup of coffee.  It's a little hard to find information about Roy online, but we knew there was (at least) a coffee shop, a restaurant, and a grocery store.  Stopping to buy bread and canned goods at the Harding County General Store, we asked about coffee and water and were pointed towards Ma Sally's Mercantile and Claudia's Coffee Shop by Sandy Ray, an unbelievably friendly and helpful Roy local.  Sandy introduced us to the town of Roy, including a tour of her La Casita Guesthouse (which is a fantastic deal for groups of climbers up to 8 people; I know where I'll be staying on my next trip...).  Sandy also introduced us to Claudia, the charming proprietor of Claudia's Coffee Shop, which would quickly become our go-to place for coffee on those mornings we headed into town.  We had a fantastic morning drinking coffee, eating burritos, and talking with Roy locals about the area and their enthusiasm for the development of the area as a bouldering destination.

 When you're in Roy, and you feel the need for coffee, a burrito, and a pie...

...and to meet some of the friendliest townfolk anywhere!  Alissa getting caffeinated with Sandy (in the red hat) and Claudia (filling a coffee cup) at Claudia's Coffee Shop, in Roy.   

Sandy gave us a tour of her Casita Guest House, just outside of town.  It's a fantastic place, sleeps eight, and is a great price; a great base for a climbing trip to Roy!

Properly fueled, we were keen to head down into Upper Mesteno Canyon which we knew held a number of huge caves which held scores of problems.  When we arrived at the Mega Roof (the largest of the five roofs), I was unprepared by how steep and deep the cave was.  In Owen's guidebook New Mexico Bouldering the problem Dust Bowl (V7) is described as being a 30-foot roof, but I assumed that this was an exaggeration.  It wasn't.  A line of chalked holds stretched from the lip of the cave way back into its dark recesses.  Thankfully, almost every hold was a sculpted jug (pocket, slot, pinch, or rail), which makes for a fantastic roof-climbing experience.  However, both Dust Bowl and Batman (a 24-foot V7 roof to the right) share the same crux; the last three moves of the roof feature incut edges rather than comfortable buckets.  With my legendarily poor endurance, I knew it would be a battle.

Kyle staying clean as he battles through the Dust Bowl (V7).  The biggest sandstone roof problem I've ever seen...

Luckily, the fantastic Keep Boulder is just a few steps away.  The Keep has some of the most beautifully patina-ed faces we saw in Roy, and features some of the best easy problems, including Momo (V1), Wet Socks (V0), and Burned Feet (V1).  After we climbed these fun highballs, I continued warming up by climbing some of the easy highball (!) lines on the canyon rim immediately opposite the Keep.  Warmed up, I finally turned my attention back to the Mega Roof Cave.  Kyle, Alissa, and Justin were already trying Dust Bowl, but after climbing through the beginning of the problem a few time I decided that it wasn't for me.  Although Dust Bowl has great holds, I hate falling off long problems simply because I'm pumped (Dust Bowl, with it's 27 feet of V4 before the crux, definitely falls into that category).  Batman (V7), with its bigger moves and more powerful (but thankfully a little shorter!) start, interested me more, though I had to spend a little time  finding a way through the pockets that wouldn't hurt my left hand.  Alissa was working Batman as well, and it was exciting to watch her work through the moves, finding clever sequences that allowed her to statically work through the big reaches on the roof.  Though we were having a lot of fun, eventually we ran out of time, and headed back to camp as the sun sank below the canyon rim.


Kyle on the crux of Dust Bowl (V7), three small holds after 25+ feet of roof climbing (top), and Alissa on the first crux of Batman (V7) (bottom).  The roofs of Roy will certainly satisfy those who love steep climbing!

Tuesday morning we decided to head back into the canyons, despite having already climbed for two days.  We hiked into middle Mesteno Canyon to climb in and around The Jumbles, and as we arrived at the valley bottom I saw a great-looking block half-hidden among the pines left of the trail.  Looking at it more closely, there seemed to be a great-looking line on the downhill face of the boulder; a matched start on a long edge led up to more edges and slopers, and an engaging topout at a just-less-than-highball height.  I climbed up and down a few times to warm up a bit, then climbed up to the fun topout; another great moderate line in Roy! (Apparently, this was a first ascent, which I've decided to name Daybreaker (V1) after the Louis L'Amour western novel set in northern New Mexico).


(top) Daybreaker (V1), one of the great new problems I put in Roy, the line essentially climbs up the shaded face in the middle of the photo, and (bottom) the fantastically shaped (and solid) Dakota sandstone for which Roy is becoming famous.

From there I wandered down-canyon to see what Kyle, Alissa, and Justin were up to, and found them warming up in the sun on the Beautiful Pig Boulder.  Beautiful Pig features a ton of fun short(ish) warmups, as well as a handful of taller lines on its downhill and north faces (including the eponymous and somewhat spooky-looking Beautiful Pig (V6)).  We climbed a half-dozen shorter easy lines (V0-V2), and I also did the highball Black Tar Heroin (V1).  The rest of the day flew by as we tried a handful of lines spread across the Jumbles; an unnamed hard compression line on the hillslope, the weird and hard Thumbelina (felt much harder than V4 since a break; none of us could do all the moves, but as a group we managed to do it all...), and a handful of easier slabs.  We really wanted to try the stellar-looking Puddle Jumper (V6), and with only a few hours left in the day I headed up to try it.  It has great movement and beautifully sculpted holds, and because it wasn't too difficult to decipher I was psyched when I did it in just a handful of tries.  Justin was keen to try the powerful compression line Storm the Castle (V7), so we headed over to session on it as the day drew to a close.  Everyone made progress (most of us were linking it in pieces; I did all the moves but one but found it very hard), but by the end of the day we were feeling beat (I had done 18-20 problems!), and as the sun set we headed out of the canyon and back to camp, feeling beat and ready for a rest day.

Kyle soldiering away on Storm The Castle (V7), one of the hardest things we tried on our trip.

The next morning, we woke up and headed into town for coffee and breakfast.  Arriving at Claudia's Coffee Shop, we spent a very sociable hour not only with Claudia and some of the Roy locals, but also with local entrepreneur and dairy farmer Shariyf.  Shariyf would not only prove to be friendly and entertaining, but also a trip-saver when he found out I was out of Climb On hand salve (he gave us samples of hand balm that his family makes, which definitely helped our hands out for the rest of the trip).  I've been to a lot of small towns over the course of my climbing career, but never have I experienced such an amazingly warm reception as I did in Roy, New Mexico!  After coffee we headed across the street to Lonita's Cafe for a big western breakfast (huevos rancheros for me!), then we filled our water jugs and headed back to camp.

If you're from Canada (like me), and you want to hit up regional cuisine where you climb (like I do), then this is the place for you in Roy.

The next morning, as we packed up for the day, Kyle noticed that one of his tires was quite low.  Being prudent, he decided to drive in to Roy to get it repaired.  Since Mill Creek Canyon is very close to the campground, we decided to head there for the day (Kyle had his tire fixed and was back within an hour).  Alissa, Justin, and I hiked down the road into the canyon, and began our day by doing all the problems on the nicely featured Cuban Boulder, including the funky Melvin's Mill (V3; Alissa flashed it, which was her hardest flash to date, congrats Alissa!).

Alissa flashing the techy Melvins Mill (V3), Mills Canyon.

At this point, Kyle returned from Roy, and while he warmed up I decided to head down into the canyon proper (not wanting to get cold).  I really wanted to try Sneaker Man (V6ish), a line I had looked at on my first day of hiking, and as it was directly in the sun I decided to try it first.  It took me several tries to get the first dynamic move sorted out (the feet are small (!) and hard to generate movement from), but once I did the move I was puzzled by the apparently enormous second move.  Sitting in the sun, I stared at the problem, and decided that I simply wasn't trying hard enough (isn't that often the case?).  The next attempt on the line I did the short jump to the first ledge, then high-stepped into a pocket and pulled smoothly (to my complete surprise!) all the way to the next hold, a sloping pinch.  From here, a few tricky but easy moves led to the top of the boulder.  I was incredibly happy - it is always nice to send a high hard(ish) line well, and feel fully in control.

Justin with his jumpin' shoes on, trying the very committing Sneaker Man (V6).

After getting punted repeatedly off the line to the right of Sneaker Man, I wanted to move up-canyon a bit and try the classic TED (V7).  TED is a short-ish line (unusual for Roy, where highballs are king), featuring a big first move to an incut slot (crux = targeting!), and then a series of sequential moves through slots and sloping pinches.  After arranging a couple mats, it took me a while to get my beta sorted for the first hard move, with lots of foot micro-adjustments before I felt good.  When I finally did the first move, however, the rest of the line went relatively smoothly (especially since it has a high high-step, love it!).  I was psyched to do one of Mill's Canyon's classic lines so quickly, and packing up I decided to move down-canyon to try the megaclassic Jewbacca (V5).

Kyle finding out what the talk is all about on the fantastic rock of TED (V7). 

Arriving at the boulder, I could clearly see that Jewbacca's reputation is well-deserved; a steep brown- and orange-streaked arete looms over the gravel streambed of the lower canyon.  I definitely wanted to onsight such a classic-looking line, so I ran though potential sequences for several minutes before stepping off the mats onto the rock. A few hard moves to good pockets led to a series of crimps, pinches, and slopers before the angle changed and I high-stepped onto the juggy slab that marks the end of the hard climbing.  Employing some fun foot trickery, the line felt fantastic, and soon I was standing on top of the boulder, whooping into the still air of the canyon. 

At this point, I felt like I should head back up-canyon to find Kyle, Alissa, and Justin, who I hadn't seen for a few hours at this point.  Just as I climbed out of the canyon, I met them as they were about to head down in.  We swapped stories about what we'd been up to, and I was curious to try a leaning arete that both Kyle and Alissa had found to be very fun.  Following their directions, I soon arrived at the problem, a cave-to-arete problem formed where a huge slab of sandstone lay half-atop another block of rock.  The line looked tricky, but the holds seemed reasonable, so I arranged the mats and pulled on my shoes.  After taking a good look at the holds, I started climbing; a couple powerful moves on juggy slots led out to the arete, where a series of surprisingly position-dependent moves on pinches and gastons allowed passage to a large ball-like feature on the arete.  Above me I could see a tiny knob and, higher, a good jug, but with my legs beneath the lip I felt unable to move.  I briefly considered a high heel-hook on the ball, but it was far too high.  Instead, I reached up and grabbed the knob before doing a move that is usually reserved for large protruding arete features - a leg hook (almost straddling the ball feature).  Feeling really locked in, I casually reached up to the final jug.  I would later find out that this funky line is called Nick Cave (V5 or 6), another fun Roy line put up by Owen.  Happy to flash the line, I headed around the back of the boulder and did the funky traverse-to-arete Cum On (V5) to round out my day.  By this point, my fingers felt thrashed, and I headed down-canyon to watch Kyle and Justin work Sneaker Man as the sun slowly sank below the horizon.  Another great day in Roy, and a really productive day for me!

Kyle reaching the "ball" hold of Nick Cave (V5/6); it's definitely tricky to move past this hold.

For the last two climbing days of our trip, we definitely wanted to climb more of the giant sandstone roofs that Roy offers.  By this point in our trip, we were definitely settling into a nice groove; wake up, stretch a bit, either eat breakfast in camp or head into town for coffee and burritos at Claudia's Coffee Shop, then as the day warmed head into the canyons to do some climbing.  On our second-last day (Friday) we followed this ritual and then headed back into upper Mesteno Canyon.  Kyle was super-keen to get back on Dust Bowl (V7), and I was excited to take a closer look at some unclimbed lines on the canyon rim I had spied during our last trip into the upper canyon.  As we arrived at the Mega Roof, we met some climbers from New Mexico (a super-friendly group who were already hard at work on the huge roof problems in the cave).  We warmed up on some of the easier lines on the Keep boulder, and then moved onto the steeper lines of the Mega Roof.  Justin climbed No One Gets out of Roy Alive (V4), and after another short session on Dust Bowl Kyle climbed through the massive 30 foot roof for the send.  Alissa and I were working on the adjacent Batman (V7), and after a little discussion about the best way to climb through the pockets without tweaking my left hand I managed to send it, while Alissa linked the entire first section of the problem (from the start to the third-last move of the roof).  The problems on the Mega Roof are awesome - we'll certainly be back!

Me hanging out on the stellar roof problem Batman (V7), Upper Mesteno.

Alissa on the Mega Roof, Upper Mesteno.

Finished with the Mega Roof for the day, Kyle, Alissa, and Justin wanted to check out the Solar Cave (another huge roof) just up-canyon.  However, I was keen to try the unclimbed project on the canyon rim I had looked at earlier, so I hiked up through the bushes and started sweeping off the holds on a perfect purple-orange wall of rails and pockets.  The problem was steep and high (!), so I didn't want to commit to topping out without first assessing as much of the rock as I could.  A view from the top revealed that the last 6 feet of climbing was on solid-looking edges, and I could see that the first 10 feet or so were on perfect 'merlot stone', but that left several feet in the middle that couldn't be easily examined without a rope.  After several tries on the line I had a good sequence figured out; perfect starting jugs prefaced two hard-ish moves on pockets, then a rail and another pocket led to a series of patina incuts.  Although I managed to climb up to this point fairly easily, it was difficult to determine which holds in the middle section were solid (although the climbing looked straightforward).  Still several feet below the exit holds, and looking at a huge fall into the brush (and undoubtedly missing my mat completely!), I decided that prudence was the better part of valor and decided to back off the problem and save the ascent for another day (when I had more mats and a spotter).  Packing up my gear, I headed over to take a look at the Solar Cave; when I arrived, however, Kyle, Alissa, and Justin were packing up, and with the sun getting low in the sky, we headed into town for dinner at Lonita's Cafe.
We definitely found some hard things to try, especially on our last day.  Here Kyle squeezes on a V10ish roof compression line on the Oogie Boogie Roof.

Saturday was our last day in Roy, and after climbing five days out of the last six my hands were incredibly sore.  We wanted to check out a few areas that Owen had given us directions but weren't in the guidebook; the Enormo Boulder and the Oogie Boogie Roof in Upper Mesteno Canyon.  Quickly packing up our gear, we headed out for one last day of pulling on desert sandstone.  After we dropped down into the canyon I had a very (!) unpleasant time warming up (my hands were very uncomfortable and painful)), but once I climbed a handful of lines they desensitized enough that I could pull on holds fairly comfortably.  Feeling strong, we headed over to the Oogie Boogie Roof to take a look.  Although it isn't as deep as the Mega Roof cave, the Oogie Boogie roof is arguably the most picturesque of all the caves we saw on our trip.  With the clock ticking, we climbed (or at least tried) almost all the lines in the cave, sending Ghost Town (V3), the amazing The Upside Down (the best V2 we climbed in Roy, certainly), and Mr. Oogie Boogie (V3).  Inspired by the amazing holds, I even climbed a new line on the Oogie Boogie Roof; starting on the start holds of The Upside Down I trended right through huecos, pockets, a very cool pinch and an amazing fin hold to top out, calling it Evil Eye (V5ish).  Kyle and I also worked The Babadook (V7), and eventually Kyle sent the line (in style!), while I came up short.  We also spent a little time working a hard (V10?) compression line, making better progress than I thought we would.  Next time!



Different views of Kyle, Alissa, and I on The Upside Down, an amazing V2 on the Oogie Boogie Roof.

By this point, unfortunately, it was late in the afternoon and it was time to start the drive back to Canada.  Long drives are not much fun, and this one was no exception.  Driving across New Mexico and Colorado was relatively uneventful, but northern Wyoming was an expanse of dense fog, and in Montana we experienced white-out blizzard conditions.  But eventually we made it back to Canada, albeit with sore hands and the desire to head back to the desert canyons of Roy for more bouldering!







Thursday, January 4, 2018

2017: The Year in Review!

Ah, 2017!  A lot of crazy stuff happened this year, both in climbing and the greater world.  My climbing universe was full of happenings, and as usual, I've set aside some time to list my personal review of Top Ten Climbing Things that happened this year

1.  The greatest / craziest / most impressive thing that happened this year was Alex Honnold's solo of Freerider (.13a) on El Cap.  Although Freerider goes at a fairly moderate V7 grade, the highball factor really adds to the experience, I feel.  All joking aside, Honnold's solo of Freerider essentially dropped a bomb into the world of adventure, with ripples that extended far beyond climbing.  I've soloed a handful of routes, but I can barely watch the video of Honnold on El Cap (EL CAP!).  Crazy, and my hat is off to you, Alex!  There are articles about the ascent everywhere, but here's a link to the one in Climbing Magazine.

Alex Honnold on Freerider (V7).  Mind = blown.  Every time I see this photo.

2.  Just as impressive is Adam Ondra's ascent of Silence (.15d) in the inverted granite amphitheater of the Hanshelleren Cave near Flatanger, Norway.  I've been climbing for more than 25 years now, and only a few years ago the grade .15d wouldn't have even made sense to climbers.  But it clearly does to Ondra, who also ushered in the .15c grade.  Ondra is dedicated to climbing in a way that perhaps no one else is.  He's climbed more than 25 routes that are .15a or harder (again, a statistic that barely makes sense, especially given the small number of routes of this difficulty in the world).  To redpoint Silence, he worked it for four years, with months of training dedicated to be able to individual moves (for example, there were months of training just to get his calves strong enough for the inverted kneebar rests, for goodness sake.  You can gain some insight into his process in the Rock and Ice interview here.

Adam Ondra showing us that the impossible sometimes isn't on Silence (.15d).  

3.  I've been in the game a while now, and so it is (extremely!) gratifying that I climbed one of the most important problems of my life this year.  Ogopogo (V5) is the type of unopened problem that the itinerant climber spends years looking for; perfect rock, interesting and sculpted holds, a little overhanging, and an amazing landing.  Added to this is the fact that the problem is dead-center on the tallest face of the infamous Nerf Boulder at the Boulderfields.  I'd looked at the problem for years before I finally turned the mental corner from "it looks amazing" to "I'm going to seriously try this."  Once it was cleaned, it didn't take too long to work out the moves and send it, but the voyage from seeing to the line to climbing it was amazing.  You can see Ryan Frecka's great video of my send here.  I also added another classic (with some of the funkiest moves I've done in a while) to the Serenity Boulder, calling it Sunny Side Up (V5).  I love the Boulderfields!

Ryan pulling through the first crux of Ogopogo (V5) at the Boulderfields.  Ryan is basically the staff photographer of The Climbing Life.

4.  For me, climbing can be even more amazing when you travel to new places with great people.  A year ago, on a lucky whim, Kyle and I checked out an area we had heard about - but never visited - in southern Idaho.  Oddly, for a climbing area, the cliffs of The Channel are underwater half of the year, but dry once the water is diverted (in the winter) for agricultural use.  The shapes of the rock at the Channel are amazing, and so it was an absolute treat to be able to head to Idaho this year for an extended trip to the Channel.  Despite the fact that I was dealing with the aftermath of a weird tendon injury in my left hand (courtesy of The Evangelist at Frank Slide), I had a blast climbing at the Channel with a great group of people.  You can check out my blog post of the trip here, and one of the many videos of the area here.  I'll be back there again soon!

Me dipping into the topout of the amazing Honey Pot (V8 I think?), The Channel.

5.  One of the coolest things in my climbing world this year was how fresh Frank Slide seemed this  year.  Almost every trip I made to the Slide I tried new problems, sometimes on boulders on which every problem we did was a first ascent.  The Pilgrimage just kept providing new problems visit after visit.  The Tetris Boulder (now firmly established as one of the single best boulders in all of the Slide) was a major find, and provided us with several trips of pure bouldering pleasure (including the absolutely standout lines of Rook (hard V2), 2-Pock (V2), Tetris (V4), Domino (V3/4), Gunrunner (V8/9), and Smoke Show (V6).  Now if I can just get strong enough to get to work on some of the harder problems in The Pilgrimage!

Me pulling on the perfect holds of Victoria (V3?) in the City of Giants Sector, a classic new problem I did on Victoria Day this year.

5.5.  There were a lot of hard problems that went down this year, although injury certainly reduced the pace that new hard problems appeared.  Josh B.'s incredibly aesthetic Voyageur (V8ish) was a notable addition, as was Davin's Gunrunner (V8/9).  Josh B. also added several new highballs high on Turtle Mountain, that I am certain will repel suitors for years to come.  There were a few notable non-sends this year; Mark D. did not repeat the infamous March of Time (V9...not!), though he came very close, and Josh B. did not do the amazingly gymnastic 'Sunny Corner Project' (certain to be by far the hardest line in the province, and one of the hardest in the country), mostly because one leg is insufficient to climb the line.

6.  Hueco Tanks!  After decades of hearing about Hueco, I finally made the trip down to west Texas with Kyle and Davin.  We had an absolutely standout trip (with the exception of the drive down; I hope to never again commit to a soul-destroying 30-hour drive).  There were so many moments of awesomeness, but perhaps the single best moment was flashing the legendary Moonshine Roof (V4).  To climb such a legendary / amazing / world-class problem felt like an absolute privilege, and made all the bureaucratic red tape worth it.

Davin on the "how can a problem this steep have tiny crimps on it" start of Daily Dick Dose (V7), Hueco Tanks.

7.   Definitely my hardest send this year (from my personal perspective) was Evan's Seven (V7).  Evan's Seven is my anti-style (bad feet, lots of lockoffs), and even though I committed to working it in the hottest part of summer, I kept at for probably three or four sessions before I could finally stick the first (for me, incredibly low-percentage!) move.  Even though I climbed several problems that are theoretically as hard or harder, I had to climb absolutely perfectly to climb Evan's Seven, and I was fairly happy with my send.  It was supposed to be one of the ticks on my way to the Frank Slide Seven Sevens List, but I would be stopped soon thereafter when I tried to "throw a lap on The Evangelist".... which brings me to Number 8.

8.  What would a 2018 Highlights List be without my describing my injuries?  After dodging the injury-bullet for years, 2018 was the year when injuries would really reappear in my life.  Early in the year what I refer to as my "weird bicep thing" would flare up (though I beat it down again with some physio), but my season really took a beating in early September when I stressed the long tendon that runs from my left ring finger through my wrist into my forearm trying the strange 'upside-down/false-grip' first move of The Evangelist (V7) in a poorly thought-out headlamp session at the end of an already long day.  That led to a month off to recuperate (which for me is virtually unheard of), and then I tweaked my right elbow working a hard (and high!) V8 or V9ish project at the Channel in October.  I seem to be mostly healed (KNOCK ON WOOD), but we'll see how my early 2018 training goes!

9.  Ninth on my list is the fact that this is my 25th (26th?) year of climbing!  I'm always a little surprised when the new year rolls around, and not only am I still climbing, but I'm seemingly climbing almost as well as I ever have!  I've decided to not worry about the "impending" end of my climbing career; frankly, I thought it would have ended years ago!  So in 2018 I'm going to keep training, keep hunting for new problems and new areas, keep developing, and keep traveling to new areas!  Seeing new rock and meeting new climbers is really such a big part of my life, I can't really imagine quitting at this point in my life.

From left to right, Alissa, Jonas, Kyle, Evan, and Brian getting ready to pull on the perfect stone of The Channel, Idaho.  A great group to explore the desert with!

10.  But really, a huge part of what made climbing great this year was the people I got to climb with.  From spending summer time sessions bouldering the Karage with Kyle and the Karage Krew (sounds like a band), to exploring Frank Slide with Kyle, Mark, Davin, and Dan, to everyone at the Ascent Climbing Gym, to the Boulderfields Posse (Andy, Staci, Jay, Braden, Garrett, Quentin, and so many more), to all the people I met on trips both in Canada and the USA (especially - but not limited to - Peter, Chelsea, Alex in the Boulderfields, and Emily and Shane at the Hueco Hacienda), it is really the people that help make climbing memorable and enjoyable.  Some of my good climbing friends were injured this year (notably Josh who apparently exploded his leg), and I wish them all the best in the upcoming months.  So my hat is off to everyone who keeps the climbing spirit alive, and I look forward to a great 2018!


Tuesday, December 26, 2017

The Channel Strikes Back!

Last October, Kyle and I spent a week or two adventuring through the arid hills of Montana, Idaho, and northern Nevada, continuing our search for the best bouldering in western North America.  We visited a half-dozen areas, and our reviews for most of the areas were generally mixed.  We both liked Castle Rock State Park, where the rock was really featured and solid, but I wasn't a huge fan of the exfoliating rock of the boulders of City of Rocks (Kyle liked how steep it was).  I really liked the wildness of the boulders of northern Nevada, but Kyle wasn't wild about all the crimps and how spread out the bouldering was.  We both enjoyed bouldering in the Butte Batholith, but vertical crimps are probably Kyle's least favorite style of climbing, and I thought the Trailer Park Boulders were generally too short, though fun.  One area we were both blown away by though, was The Channel in south-central Idaho.

Our accounts of how we ended up first visiting The Channel differ somewhat.  Though we had both read about the Channel long before we left for our trip last year, Kyle insists that it was his suggestion that we visit the Channel to check it out on a rest day.  In my memory, however, it was my insistence that drove us to visit the Channel.  Regardless of which story is true, however, one thing was certain after our two-day exploration of this amazing area. The Channel was a new hope* for western bouldering, and we would be definitely coming back.

Kyle bouldering on perfect bronze sculpture in the Channel, Idaho.

The bouldering area dubbed 'The Channel' is a narrow canyon cut by the waters of the Big Wood River into the flood basalt of the Magic Valley of southern Idaho.  Ordinarily, the amazingly water-sculpted features of a river canyon wouldn't be climbable (as they would be under water), but the water of the Big Wood River has been diverted for agricultural purposes.  For approximately half of the year, water still runs through the Big Wood River, but for the other half of the year (late autumn, winter, and early spring) the water is diverted into canals, revealing some of the most incredible holds sculpted from absolutely bombproof basalt.  The Channel is also one of the few places with really abundant bouldering on basalt (many basalt flows form columnar formations, which spawn only relatively small boulders).

This October, Kyle and I headed back to southern Idaho, but this time with a group of southern Alberta boulderers all psyched to boulder at this unique area; Evan (from Calgary), Ryan (from Edmonton), Brian K., Alissa and Justin, and Jonas and Jordana (all from Lethbridge).  As Kyle and I drove down through the northern states in his Subaru, I reflected that the 10-hour drive to Idaho was a welcome change from the 18-hour drive to Las Vegas, definitely a plus for those who don't like driving long distances (like myself).  We'd decided to avoid camping by renting cabins at the KOA near Twin Falls, which was a reasonably cost-effective way to have beds and hot showers without staying at a hotel.  It turned out to be a good place to base our bouldering trip, as the cabins were warm, the showers were great, and it was a little closer to the Channel than staying in Twin Falls.

Brian dynoing like a champion on Epi-Pen (V8?).  We didn't know the names of most problems...

On our first two-day visit to the Channel last year, Kyle and I had spend all of our time at the north-most part of the Channel (aka Black Magic Canyon, aka the "Fish Channel").  We had heard of another sector (the 'central Channel' where one can find the Cosmic Boulder), but hadn't had time to check it out.  On this trip, we got word of yet another sector to the south, which when we visited it turned out to be our favorite (in part because it was cleaner, had just as good problems, but was also free of the piles of dead fish that seemed to especially plague the north Channel this year).

As we moved between different sectors of the Channel climbing each day, we quickly settled into a rhythm.  Usually we would pack up lunches and mats, then head somewhere for breakfast (often IHOP) before driving north to the Channel (either the north or south sector).  Once there, we'd find a wall with a lot of warm-up climbs (easily done), and then disperse a bit to find and work projects for the day.  Inevitably, at some point during the day a group would come upon a particularly spectacular problem or feature, and a handful of people would congregate to work (and hopefully send!) the problem.  Not knowing the proper names for any of the galleries or sectors we'd encounter, we came up with titles for the areas we'd visited; "The Fish Channel", "the Red Channel" (one of the sectors had been fire retardant-bombed during the summer fires, staining it red), "The Rhinoceros Sector" (named after a prominent horn), etc.  Often the areas of the Channel that were near drop-in trails or the mouths of some of the more canyon-like sectors would provide great warmups, as the walls there tended to be more featured.

The fire retardant-stained rock of the 'Red Channel'.  Some of our favorite problems were in this area.

Every day we climbed at the Channel, we moved around to check out new sectors.  While the sectors varied a bit with respect rock texture, height, angularity of the features, and steepness (some were definitely more overhanging than others), we were never disappointed.  It seemed that each new bend of the channel hosted another chamber with a new and exciting profusion of basalt sculptures, and a mind-bending selection of new problems of all angles.

On our first day in the South Channel, we warmed up at a beautiful wall topped by a huge pile of driftwood (testament to the height of the flood waters that must periodically inundate the Big Wood River).  Beautifully incut jugs, aretes, and huecos on a slightly overhanging wall were the perfect warmup for a day of pulling on basalt.  One especially beautiful line started low, underclinging a feature that looked like a troll's head, then followed an angling crack up to a series of perfect jugs; a typically five-star line at the Channel.

Ryan on the amazing 'Driftwood' problem.

Warmed up, Brian got psyched to try a perfect compression line across the canyon from the warmup wall.  Unlike many of the other lines we would try that week, the compression line had a fall zone comprised entirely of large blocks.  Some of the posse were put off by the bad landing, but Brian's excitement was infectious and in a few minutes Evan and I were checking it out as well.  Commandeering a handful of mats, we set up a decent landing and set about climbing the surprisingly juggy compression prow.  It was so much fun, we actually did it a handful of times before moving on, looking for new projects.

Brian squeezing basalt in Idaho.

As we moved up-channel, we encountered a section (about 100m long) in which the rock was stained bright red from fire retardant.  There was a lot of evidence of fires in the area (much of the desert surrounding the channel was burned), and presumably the red retardant was associated with efforts to fight those fires.  Many of the problems in the red-stained section of channel were amazing, including a prow consisting of two consecutive bulges topped by two blunt 'rhino-horn' features (they're more amazing - and more common - at the Channel than you might think).  While we wandered about, ogling the amazing features, Alissa pulled on her shoes, arranged some pads, and started working the line,  Soon Jordana and Jonas got curious, and started trying the problem as well.  Not one to ignore such a cool-looking line (and the already-arranged mats), I pulled on my shoes and tried the problem as well.

The line incorporated an amazing and perfectly-textured sloping shelf, which led to a weird vertical slot-pocket, and from there an apparently huge reach would gain the pair of rhino horns and the weird scoops above.  After trying the problem a couple of times, I was stumped; I simply could not get my feet high enough on the bulge to reach the horns above.  A more careful look at the problem, however, revealed a perfect slot-undercling hidden in the shadows below the upper bulge.  Invigorated, Alissa pulled on to the starting holds, stepped up, pulled into the undercling, and rolled her shoulders far enough to clear the bulge and reach the horns. A few more funky moves up a runnel-fin-horn, and a grinning Alissa was standing on top of the wall.  Using essentially the same beta, I followed her up the problem.  Over the course of the day, most of the group would work and eventually send the problem; yet another top-drawer problem at the Channel!

Alissa looking as though she is getting eaten alive by the rock in the Channel as she sends the Rhino problem.

One of the amazing things about the Channel is the landings.  Coming from Frank Slide (which has the consistently worst landings of any area I've been to on earth), the gravel-and-sand landings of the Channel seemed fantastic.  Sometimes, we'd have to prop a mat against a boulder, or use a few to fill in an eroded hole, but generally the landings are good.  The landings clearly change from year to year, though; last year, Tonsilitis (V4) had a perfect gravel landing, this year the problem was 3 feet taller and featured a scoured-out, boulder-filled hole for a landing.

Brian looking solid on the amazing Obvious Crack (V4?) in the North Channel. One of the few problems we did that climbed right to the rim, many problems end on a big ledge.

In their explorations one afternoon, Evan and Ryan found an singularly amazing feature - a bizarre fin/blade which protruded at a right angle from the canyon wall.  At the end of the day, we coalesced around the problem, ready to explore the undoubtedly technical (and weird!) movement the problem would demand.  By squeezing, wrist-wrapping, and heel-hooking his way up the problem, Evan managed an impressive end-of-the-day send, while the rest of us were left without enough gas in our tanks to muster the power to climb the line.  Ryan and Evan returned to the line our next day in the sector, and Ryan came incredibly close to sending it as well, but was forced to walk away without the send.  We found out later that the problem is called Compression Technician; you can check out a video of the problem at 2:43 of this short film about the Channel.



From top to bottom: One of the amazing pothole-tubes at the channel; Jonas on a very cool and funky ooze-into-a-scoop problem; Jordana staring down her project, the line we referred to as the 'Rhino problem'.

Great climbing trips create amazing stories and great memories.  The Channel, set in the dramatic deserts of Idaho and replete with perfect problems and surrealistic shapes carved in basalt, definitely creates these stories for me.  While I don't have the time to share them all, there are definitely some that are especially memorable.  Justin, Brian, and I working an amazing sloper problem on a sun-drenched wall of basalt, with one of the craziest highstep-to-a-huge-sloper moves I've done in a long time.  Jordana working - and eventually doing - some of the first tall problems she's ever done.  Jonas dynoing for huge huecos whenever he could find a problem that demanded it.  Evan digging into and sending an angling crack with back-to-back dynos, that ended by wrestling up and into a huge sculpted spire/jug/fin.  Kyle and I working an a pocket-to-arete-to-scoop highball with one of the smoothest slopers I've ever touched.  Jonas dislocating his pinky toe by tripping over a mat. When you combine all these things with a trip to the weirdest "museum" in the middle of the desert, you've got the makings of a great trip!**

In contrast to many climbers, however, the Channel holds an extra, non-climbing, appeal for me.  As a huge fan of sculpture (and a sculptor myself), the endless fantastically-eroded shapes are (almost literally) mindblowing.  Everywhere one looks, perfect natural sculptures abound.  A bizarre tusk that looks like it was sculpted by Jean Arp, a rock lying in the gravel that looks like a Henry Moore, and a blade of rock jutting from the wall that looks like a piece by Etienne Hajdu.  If you love sculpture AND climbing, the Channel is a lifetime must-see destination.

I have many (!) photos of weird rock formations in the Channel.  Many...

Having injured my left hand fairly badly in early September (on The Evangelist (V7), see an earlier post...), I knew I would be focusing primarily on moderates on this trip.  Fortunately, the easy problems in the Channel are just a good as the hard ones!  Often problems in the Channel consist of linking discontinuous - but often juggy - features that are separated by smooth featureless basalt.  On the easier problems, these features are amazing (and amazingly accessible).  A problem might start by underclinging a huge cauliflower-like hold, only to move up to a perfect slot, then onto a giant rhinoceros horn, then up again to a series of scoops and huecos.  Though the problems in the Channel are often a bit tall, the topouts usually consist of huge incut pockets and horns, so the risk factor is low.  It's great to visit areas where the easy problems are just as good (and use just as amazing holds) as the hard ones!

Brian on the best V0- I've ever done.  The thing he's standing on looks like a huge giraffe's head jutting out of the wall. Amazing.

On one of the rest days we checked out the 'other' big bouldering area in the Magic Valley; the weathered basalt blocks of Dierkes Lake.  Although we didn't have time to climb here, I was surprised by the quality of the boulders, which looked fantastic (and a bit like California's Sad Boulders).  Dierkes Lake is definitely a sun trap (making it a good cold-weather option) and features sport climbing as well as bouldering, so we'll definitely spend some time climbing there on a return trip.  We talked to some of the people bouldering at Dierkes Lake, and were a little surprised that they had never heard of the Channel.

Justin checking out the rock at the Dierkes Lake, in Twin Falls.  Must be nice to have a bouldering area right in town...

One of the cultural perks of visiting the area (for curious Canadians, anyways) is that the small towns of the Magic Valley are untouched bastions of western Americana.  For example, on our commute to the Channel each day, we would drive through the small town of Shoshone, and the red awning of the Manhattan Cafe.  Once we indulged our curiosity and visited the Manhattan Cafe for breakfast, we realized how amazing a western breakfast of coffee, eggs, sausage, bacon, and unlimited pancakes can be!  If you're ever in the area, stop in for an amazing breakfast, and soak in some western culture!***

AH yes, the Manhattan Cafe!  A must-stop venue for breakfast when bouldering at the Channel.

On the last day of our trip, we headed out to the Channel with a skeleton crew of just Kyle, Ryan, and myself.  Brian, Alissa, and Justin had to head back to Lethbridge a day earlier than us, Jonas and Jordana opted for a scenic drive rather than a day of climbing, and Evan was sick (probably food poisoning; let's just say that it was a 'fluid' situation).  With just a few people, we had a fantastic day of circuiting around, climbing dozens of easy problems (including the only roof we climbed on the trip), as well as a few harder ones.  Kyle and Ryan ended the day (and the trip) with a session on an incredible "sculpture" problem, while I did a few of the amazing easy highballs nearby.  Feeling beat, we headed back to the KOA cabins to get one more night of rest before heading back to Canada.

End of the day send of yet another fantastic V0 highball at the Channel!

Even as we drove through endless sagebrush-covered landscapes en route to Canada, I started to look forward to my next trip to the Channel.  It's an amazing area to explore, with some of the most incredible rock I've ever climbed on.  I'll be back again, Idaho!  Until then, take care, and keep the potatoes coming!****

 Justin on a fantastic gaston-while-standing-on-the-head-of-a-hammerhead-shark problem.

 Kyle dynoing. Natch.

 Brian finding yet another problem to project!

 The snake we saved from drowning!  He looks happy... I think. (He wasn't).

 Justin on a  problem that we couldn't quite do.

Kyle on the so-called "sculpture problem", which only Evan managed to do, though Kyle came quite close.


* see what I did there? ;)

** ask Justin and Brian about their "two-meal meals"

*** the Mexican food in Twin Falls is great, as well!  You can't go wrong at the La Fiesta Mexican Restaurant!

**** my only Idaho potato joke.


Sunday, December 24, 2017

Frank Slide Season!

Frank Slide!  Though some may disparage the blocky landings and the relentlessly technical nature of bouldering at Frank Slide, the fact remains that The Slide has become one of the biggest bouldering areas in Canada (and seemingly the largest limestone bouldering area in North America).  As any Frank Slide local knows, the blocky landings can be tamed with well-placed pads (it's best to travel with 2-3 mats or, more ideally, as part of a well-padded posse of climbers), and the technically-demanding style of climbing on even relatively easy problems quickly becomes a desirable feature of the area.  With about 1500 problems now found at the Slide, it has become an amazing area to spend time!

What many climbers don't realize, however, is that Frank Slide offers several additional advantages for the serious climber.  First, Frank Slide is a tick- and mosquito-free climbing area, a perk which is fantastic in the spring when the rest of western Canada is inundated with invertebrate pests.  Second, there is free camping immediately adjacent to the Slide, which definitely makes for a cheap long-term stay for the dirtbag boulderer.  Finally, the Cinnamon Bear Cafe is located in the Crowsnest Pass...

CINNAMON BUNSSSSSSS! From the Cinnamon Bear, in the Crowsnest Pass.  If any cafe can be called a 'climber cafe' in the Pass, it's the Cinnamon Bear.

This summer, we invested a lot of time in the Pilgrimage Sector, which is (or was) a relatively untouched area of the Slide across the Crowsnest River at the western edge of the Slide.  I had never been across the river to check out this sector until this summer, though I was aware than Mark D., Kyle, and Dan Anhorn had been over there a couple years ago and had put up a large handful of problems, including The River King (V3, reputed to be one of the best of its grade at the Slide).  However, the Pilgrimage Sector is aptly named; the approach is a bit complicated, and involves a river crossing and a bit of a hike.  This summer, however, the river was low and the weather was hot, making the wade across the river a lot more appealing.

Dan feeling irresistibly drawn to Strange Attractor (V3), in the Pilgrimage Sector.

Ironically, the first several times I crossed the river to the Pilgrimage I wouldn't make it to the River King Boulder.  On my first trip across the river with Kyle and Dan, we stopped to warm up at the Mayfly Boulder half-way up the slope, and stayed to enjoy the classics Mayfly (hard V3), and Washing Tons of Deliware (V1).  I added a hard arete line to the boulder, calling it Stonefly (V5ish).  Taking some time to check out the area, I wandered west to see if I could resolve a mystery; from across the river, another large boulder was clearly visible on the slope near the edge of the slide path, but I had never heard anyone talk about such a large block in the sector.  Crossing a small rise, I managed to find the boulder fairly easily, but it was apparent why it had never been climbed upon; it was tucked neatly between the trees at the edge of the slide and a ridge of talus, well hidden.  Walking around the boulder, I found what every boulderer hopes to find; a wide, well-featured, and overhanging face that rose to a perfect almost-highball height.

One of the first problems we put up on the boulder followed a line of blunt pinches up an overhanging prow.  After a few ascents, we removed a suspicious block; though the problem became a bit easier, the sequence was essentially unchanged.  The line, Tetris (V4), would soon be recognised as one of the best moderate lines in the sector, and was representative of the fun, technical, and steep lines that would emerge on the boulder in the ensuing weeks as Dan, Kyle, Davin, and I set about climbing all the lines we could manage.  Tetris was soon joined by Tetris Low (V6), the unique 2-Pock (V2), Rook Low (V3), and the crimpy highball Domino (V3/4) (all on the right side of the boulder), and The Squamishizer (V4), Strange Attractor (V3), the crimpy Pistolero (V5), Davin's Gunrunner (V8/9), Smoking Gun (V6), and the amazing Smoke Show (V6) (all on the left side of the face).  As the summer turned to fall, a number of linkups and alternate finishes were added to the boulder, as well as a dozen easier slab climbs, cementing the reputation of the Tetris Boulder as one of the best single boulders at the Slide for climbers of all grades.  A few harder projects still remain in the middle of the face, the so-called "Megos Project" and the "Hojer Project", both of which are likely in the V11 (or harder) range.



A well-tanned me pulling on the blocks and pinches of the incredibly fun Tetris (V4).

Later, I finally did make it to the River King boulder.  I quickly found that the boulder's reputation is well-deserved, as I climbed the perfect slopers of The River King (V3), the crisp edges of The Fisher's Mark (V1), and the deceptively hard Magic Carp (V4).  There are a number of harder (and taller!) problems on the boulder as well, and I spent a few sessions working lines with some of Frank Slide's most entertaining climbers, including Mark D, Kyle, Dan A., Josh B., and Stephan Pepin.  Josh B., apparently recovered from his devastating leg injury, added several high and hard lines to the boulder, including the bold Catch and Release (V6).  I'm definitely looking forward to getting back to the boulder!

The cruxy move to the lip on 2-Pock (V2).  Higher than it looks in this picture, the first couple feet of the problem are cropped off.

From across the river, it is apparent that the River King Boulder is paired with another large block of limestone.  This boulder (actually one large boulder split into two pieces) hadn't seen any action, so one session we shuffled the pads over and started cleaning up some the lines evident on the steep west face of the boulder.  Quickly, a trio of very high-quality lines were added to the boulder, Stasis (V4), Magnesis (V3), and Josh's Voyageur (V8ish).  Originally, the landings for these problems were pretty grim, but with some dedicated work (especially by the rock-shuffling machine Dan A.!) the landings have become fairly good.

The Pilgrimage sector has definitely become one of my favorite areas of the Slide.  The views are absolutely amazing, the trees and shrubs are a nice change from the rocks-on-rocks scenery of most of the Slide, and though there isn't a huge number of problems, the quality is generally very high.  Dan, Kyle, and I built an access trail that allows rapid/easy access to the area, especially the Tetris boulder; directly across from the big River Boulder (from which people jump all summer long) there is now a small cairn, the trail starts immediately upslope of this, switchbacking through the forest until it emerges in the talus below the Tetris Boulder.  The River Boulder itself is a great destination on hot days, allowing climbers (and non-climbers too, of course) to cool off by swimming and jumping from the top of the boulder into the river below.

Kyle locking off the second of the two pockets of 2-Pock (V2).

One of my goals this summer was to climb The Seven Sevens, a list of Frank Slide's best V7 problems.  Everything was going according to plan (I had done Evan's Seven (V7), one of the hardest V7s, and Paleofit, one of the easiest), when I attempted to do the next problem on the list, The Evangelist (V7), in a late-night session in early September.  It took me several tries to re-discover the bizarre beta for the first move, and so by the time I was getting ready to link the problem I was feeling a worrying pull in my left palm (the first move involves a weird false grip on an incut sidepull near an arete, so it's hard to engage your feet).  As I pulled on to try to link the first moves, my ring finger on my left hand (as well as the tendon of that finger through my palm) started to hurt.  I hopped off, taped it up, and tried the line again only to immediately jump off as my hand screamed in pain.  And just like that, my climbing season (and my quest for the Seven Sevens) was done.  I was forced to take some time off (which I generally NEVER do), and though I didn't know it at the time, I wouldn't get back to bouldering again until I went to Idaho in October.

Even more sadly, I would injure my elbow a bit working a hard arete problem at The Channel, which would delay my return to the Slide even longer!  Luckily, I was able to get out one more time to the Slide in 2017 on December 16 with Kyle and Alissa; I felt a bit rusty, but it was great to get back to the Slide! 

Davin pulling out his guns (and heel-hooking like a beast) on the tricky and powerful Gunrunner (V8/9).

Clearly, there were a lot more things going on in the Slide other than my exploits!  To keep things short, I'll run through a few of the highpoints (and lowpoints!)...

  • Josh B. exploded his leg, simply by trying too hard.  Apparently almost nothing can keep Josh from bouldering, though, and he was back after a few months off, sending new lines in a cast.  Notable additions were a handful of desperately dangerous highballs, including a few on the Mecca Boulder high in the Pilgrimage sector.
  • I was forced to cancel the Tour de Frank this fall, due to the extreme fire risk.  The hot and dry weather that made the Pilgrimage a nice summer destination made the entire Crowsnest area into a tinderbox.
  • The number of visiting boulderers to the Slide notably decreased this year. Slowly but surely, Frank Slide is becoming a thing.  
  • Notable visitors to the Slide included a visit from a strong Okanagan crew; Braden M almost flashed the infamous Cognitive Dissonance (V10).
  • Davin has been a solid presence in the Slide this year, sending some hard lines, and adding the classic Gunrunner (V8/9).
  • Mark D added a few hard lines, including Breaking and Entering (V8) (a good name, because it was a Dan/Trent project that we had cleaned/built up... just sayin'). ;)
  • I finally jumped from the top of the River Rock.  I know what you're thinking - it's no big deal - but it seems so high to me. 
Next blog post... the Fall Trip to The Channel in Idaho!  Stay tuned!

Davin, Kyle, and Dan hanging out at the Tetris Boulder. Amazing views from up there...

Saturday, December 23, 2017

Rock the Blocs 2017!

The Boulderfields, high in the hills above Kelowna, is rapidly becoming one of Canada's most important bouldering areas.  The Boulderfields basin, a square kilometer of densely scattered gneiss blocks and conifer trees, now provides boulderers from across the continent with problems of all angles, heights, and styles.  For the third year in a row, I decided to make a springtime pilgrimage from Lethbridge to Kelowna to sample the gneiss blocs that provide some of the finest bouldering in the country.  The Boulderfields is the perfect destination for a bouldering trip in that time of the year when spring gives way to summer; the area is warm enough to climb shirtless in midday heat, yet cool enough that the rock is a great temperature.  Once those factors are combined with flowering fruit trees, swimming in the lake, and sampling the coffee shops and art galleries of a 'pre-tourist-season' Kelowna, it is a springtime destination that is hard to beat - especially if you time your trip to coincide with the Rock the Blocs Bouldering Festival!

This year, Kyle and I once again made the trip out to the boulderfields, though we had to limit our trip to only a week as Kyle wasn't able to get a longer period of time off work.  The weather in western Canada has been weird this spring, contributing to both flooding in Kelowna and cool weather in Frank Slide.  Even though the weather forecast looked continually unsettled in the weeks leading up to the trip, the weather projections finally settled down to a week of consistent "sunny with cloudy periods" for the week of our planned trip.  We took this as a good omen, and stuffing the van full of pads, camping gear, and climbing shoes, weheaded west.

We wouldn't be climbing alone this year, though, as Frank Slide ex-pat and all-round amusing road-tripper Ryan F. was driving out from Edmonton to join us for the week. When Kyle and I finally arrived at the Boulderfields (after two deer near-misses, two coffees, hamburgers, and a cinnamon bagel from Big Bang Bagels in Fernie) we set up our tents, and gathered some wood for the communal bonfire.  Eventually we were joined by Ryan, and we sat around the fire discussing plans and projects for the upcoming week.  Justin and Alissa, climbing friends from Lethbridge, eventually arrived as well, and we were set for a week of climbing.

The fire pit at the Boulderfields is a fixed point in the Canadian Bouldering universe.  Years come and go, climbers visit and leave, and projects are worked, sent, and eventually forgotten, but the fire pit at the Boulderfields remains.  I've met some incredible climbers from across Canada and the USA while sitting around that fire in the cool mountain evenings, and this trip was no exception.  As we whiled away the evenings by the fire, we hung out with (and became quick friends with) two of the funnest (and funniest!) climbers around, Peter C. and Chelsea P.  We ended up climbing with them for a few days, wandering around the area, having a blast projecting some of the best problems in western Canada.  Another amazing climber that Kyle and I met and climbed with for several days was Alex C., an adventurer and photographer from Edmonton (Alex is an amazingly talented guy, but after a few beers is when Alex really starts to shine...).

 Kyle taking home some memories on the AMAZING highball Memento (V0/1). 

One of my big goals this year in the Boulderfields was to get back to two tall problems I had previously cleaned - but not climbed - during my 2016 trip to the area.  The first was a tall right-trending seam-to-arete line I had cleaned on the Serenity boulder, and the second was a line that I wasn't completely convinced I should seriously try; the tall center face of the Nerf Boulder.

The first of the two lines I had cleaned on toprope and worked enough that I knew I could sent it safely; I had planned to climb it in 2016 but had been rained out the last two days of my trip.  This year, with a enough climbers to ensure that that pad pit would be deep, we headed into the basin to try the line.  After a brief session in which Peter, Kyle, and I all managed to get fairly high on the line (it is probably close to 20 feet tall), I dialed in the sequence (which I had somewhat forgotten) and send the problem.  I climbed it really well, thank goodness; I hate sending things badly.  Sunny Side Up (V5ish) is an absolutely amazing line, with great holds (and fantastic movement) up an overhanging gneiss wave.

The stare down.  Peter Chiba hoping to get a full serving of Sunny Side Up (V5).

After succeeding on Sunny Side Up, we headed over to try the burly roof problem Pumping Iron (V7), which is very similar to (though shorter than) Leavenworth's Pimpsqueak (V9).  Despite a lot of energy, and collaborative beta (which is usually the best kind!), we all left empty-handed.  (*Note: I have no idea how shorter (less tall?) climbers do this thing... Staci? Braden? Seems so reachy...)

Psyched, I turned my attention to the unclimbed line of holds that lead directly up the tallest face of the Nerf Boulder.  I had looked at the line extensively in 2016, and spent some time cleaning it on toprope, but left without trying the line, for two reasons. First, there were two sections that I couldn't quite decipher a clearly-defined sequence for.  Secondly, the line is tall (really tall!).  In fact, it is higher than any other hard(ish) highball I've done (Squamish's Desire (V1) and Wendy's (V1) were tall but definitely not as committing, and The Doctor's Office (V6) at Bear Mt. isn't as tall).  After another toprope cleaning session (and trying some of the sequences), I was able to find smooth sequences for the two tricky sections of the problem.  The first became more straightforward when I found that a small slot was more positive than it had first appeared, and the final exit crux became manageable when I decided that I should simply trust and move quickly through a series of small sloping footholds high on the problem (not ideal when the footholds are more than 20 feet off the deck).

Get the guns out! Ryan Frecka hunting Ogopogo (V5).

Working the problem from the ground, I was able to make fairly quick progress to a big slot about two-thirds of the way up.  Chalking up, I tried to casually climb the last 8 feet to the sloping lip of the boulder, but I screwed my feet up, and got spooked.  Now nervous, I downclimbed to the slot and dropped wayyy to the mats below.

The next day, I returned to the line.  I took another good look at the tiny footholds that defined the final moves of the problem, and then pulled on my shoes.  I pulled through the first series of jugs to the first crux; a long move to an angled edge.  From there, more big moves on small incut slots led to the high, huge slot-jug.  Taking a breath, I chalked up and pulled through the slopers above, and in a few seconds was pulling onto the final high-step-rockover.  Feeling elated, I stepped on to the top of the boulder.  I hadn't really thought about what to name the line, but after a great deal of thought I decided to call it Ogopogo (V5ish). (*Note: the line was quickly repeated a few days after by the seemingly invincible Miles Adamson, in an impressive ground-up send. You can check out video of my send HERE).

Another line I was keen to get on was Out Of The Shadows (V7), a great line in the Serenity sector that climbs crimpy rails out of a deep cave.  I had tried it during the 2016 RtB, but had to walk away empty-handed when I couldn't hang onto the crimps long enough to do the big move out of the cave.  This year, with fresh fingers and after a fun session on the line with Peter, Alex, and Ryan, I sent the line.  Part of the reason I sent the line quickly, though, was because I used a knee-pad to knee-bar my way though the crux (Hueco-style!); as I walked off the problem it seemed that everyone was a little bummed with my kneebar beta.  Invigorated, and wanting to use the 'original' beta that most people had used, I put my shoes back on and managed to climb it again without the pad (definitely a bit harder!).  Vive la difference!

Who says what happens in Hueco stays in Hueco?  Me putting a pad to good use on Out Of The Shadows (V7).  *I did it without the pad too, but really, the kneebar was amazing with a little rubber.

I'm always excited for the climbing on the day of Rock the Blocs.  In a way, Rock the Blocs is like a boulderer's Christmas; the one day of the year when instead of carrying a stack of strapped pads around to your projects, you can cruise about the forest with one pad and a pair of shoes, climb with your friends and meet new people, and everywhere you go there is a stack of pads waiting underneath the boulders (well, at least on the popular lines).

The morning of the 2017 RtB, I awoke to the thrumming energy of hundreds of boulderers; all chatting, meeting new new people, sharing advice, and swapping stories while waiting for the event to begin.  Eventually, the indefatigable Andy White stepped to the front of the crowd, and introduced the event, defined the categories, and explained the rules that govern it.  I was entering the Masters (40+ years) category again this year; it seems that my years of entering the Open category might be gone (a fact which I am somewhat thankful for; I think you have to be able to crank out double-digit lines all day long to have a real shot at the Open).  The weather looked amazing for the event, and with the formalities completed, Andy blew the horn, setting off a mass migration of boulderers down into the Boulderfields basin.

Peter Chiba feeling the power on the crux of famous Surf Arete (V7/8).

After all the climbers had flocked down the drop-in trail to the boulders, I wandered about the now nearly-empty parking lot, eating a bowl of cereal.  I chatted with all the folks at the registration desk, and tried on a pair of the new Drone shoes generously provided by MadRock Canada.  Finally, I packed up my pad and headed down the stairs.  Waving to several climbers I knew, and briefly pausing to watch some I didn't, I headed over to the Surf Boulder to warm up.  I stretched, and did The Chipper (V1) several times (my standard warmup), before ambling over to watch a small crowd of people trying Shark Biscuit (V7).  I was motivated enough to try it once, but wanting to find something a bit easier to warm up on I headed down to do Dark Prince (V5) with my good friends Terry and Selena and their friend Jeff.

Eventually, Terry and Selena headed off to check out another sector, and Jeff and I decided to head down to the Serenity Sector (where I hoped to repeat Out Of The Shadows for my RtB scorecard).  Before we got there, though, we were decided to stop off and try FlowMotion (V4/5), a tall line nestled in an alcove beside the trail.  We both did it quickly, then headed down to Serenity where we did Firefly (V5), then headed over to do Out of the Shadows.

I had a blast climbing with Jeff; not only is he a great guy with a good sense of humor, but he's a fantastically smooth and technical climber.  He wanted to try some of the other lines in the Serenity sector, so we headed over to do Blue Pill (V5, which Kyle, Peter, Alex, and I had sent a few days earlier).  We ran into Mark Derksen, Frank Slide local and all-round strong climber, who was in the area for the RtB.  Quickly sending, we turned our attention to the funky and technical Jay's Pinch (V6), a line I had heard was really good, but apparently had only been repeated a few times.  Jeff and I spent a few minutes cleaning up a bit of moss, then set about deciphering the problem. It took a little time to figure out the movement, but after several attempts we both sent the line.  Although it doesn't look amazing, Jay's Pinch has fantastic movement and a thought-provoking sequence.  Definitely worth doing!

Kyle coming to grips with reality, amidst the endless patterns of lichen, on Red Pill (V6).

Eventually, we ran out of time (and energy), and hearing the horn blow we packed up and began to head up the hill.  On the way out, we met Ryan, who had managed to finally send his nemesis/project, the powerful and steep Full Chub Morning Weezer (V6).  Climbing out of the basin, we joined the throngs of climbers who were by now in full celebration mode as the (highly successful!) 2017 RtB came to a close.

I managed to win the Men's Master's category, which made me happy. ;) The real winner of the day, however, was Andy White and the rest of the RtB organizers.  They had managed (once again), to pull off a fantastic event, which is not only arguably the best event of its kind in Canada, but is a free event run entirely by volunteers.  Congratulations to them, and thanks a heap for an amazing time!

Alex gettin' swole on the brutally steep Pumping Iron (V7).

Kyle and I stayed to climb another day or two, but eventually it was time to head home.  As always, we had lots to talk about on the long drive to Alberta, discussing all the lines we had tried, and the people we had met.  We'll definitely be back again!  I've already compiled a list of projects to try, and I'm looking forward to the 2018 RtB!